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COLOR RECOMBINATION
SECRETS OF SOPHISTICATION
家的剧场，正在上演

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     THE PURPOSE OF LIGHT

IS TO BRING LIGHT

舞台基底

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我们构想一个空间，其本质并非容器，而是“时光收藏家”与“氛围剧作家”的叠buff。中古奶油主义的家，是温润的肌肤；而高质量瓷砖选品，则成为这部空间戏剧中至关重要的“决定性道具”，它们从背景中跃出，成为叙事本身。

We envision a space that is not essentially a container, but a combination of a 'time collector' and an 'atmosphere playwright'. The home of medieval creamerism is warm and moist skin; High quality ceramic tile selection has become a crucial 'decisive prop' in this spatial drama, as they emerge from the background and become the narrative itself.

P. 01

地面，是戏剧上演的古老舞台。「凡尔赛拼花」红棕色木纹砖的铺开，并非简单的铺贴，而是时间的谱曲。每一片砖、每一道拼花接缝，都是复古韵律的视觉回响，奠定了整场戏剧的基调。温暖沉稳，仿佛法式庄园午后阳光晒过木质与书香，让所有现代家具在其之上都获得了岁月的“合法身份”。

The ground is an ancient stage for theatrical performances. The spreading of the "Versailles mosaic" reddish brown wood grain bricks is not a simple tiling, but a musical composition of time. Every brick, every patchwork joint, is a visual echo of retro rhythm, setting the tone for the entire play. Warm and steady, as if the afternoon sun of a French manor has dried the wood and the fragrance of books, giving all modern furniture a "legal identity" of time on top of it.

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A JOURNEY
OF LIGHT TIME  

生活起点

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中岛是舞台中央的核心，供奉着咖啡、面包与交谈。「凡尔赛」拼花木纹砖从这里蔓延开来，将烹饪与用餐仪式性地统一。橱柜的暖木色与红棕色木纹砖共鸣，两把复古餐椅是这一幕的个性配角，勾勒出每日重复却永不厌倦的生活仪式。

Nakajima is the center of the stage, offering coffee, bread, and conversation. The "Versailles" mosaic wood grain bricks spread from here, unifying cooking and dining rituals. The warm wood color of the cabinet resonates with the red brown of the floor tiles. Two retro dining chairs are the personality supporting role of this scene, outlining the daily repeated but never tired life ritual.

P. 02

著名作家程乃珊笔下所书:“真正的贵族精神,是教养、责任、自由、独立。”于此，每一寸空间细节皆为这精神的具象诠释。

Famous writer Cheng Naishan wrote in her book: "The true spirit of nobility is education, responsibility, freedom, and independence." Here, every inch of spatial detail is a concrete interpretation of this spirit.

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P. 03

     LIFE IS MODERATE
    TEXTURE FLOWING

在时光材质搭建的舞台上，布局成为引导剧情的潜台词。墙面，则是与地面对话的立体诗篇。叠境系列-艺术手工砖，以其层叠变幻的肌理与色彩，演绎着“时光的晕染与沉积”，是抽象的、深邃的，如同一幅艺术画作。

On this stage constructed from time materials, the layout becomes the underlying message that guides the plot. The wall is a three-dimensional poem that communicates with the ground. Stacked art handmade bricks, with their layered and changing textures and colors, interpret the "blending and sedimentation of time". It is abstract and profound, like a contemporary art painting.

P. 04

这里是剧场的“后台沉思角”。双人沙发面向叠境艺术砖墙，那变幻的肌理成为激发思绪的抽象画。落地灯是唯一的追光灯，照亮一小片区域，让思考沉入材质的细节与色彩的微妙叠变之中。

This is the 'backstage contemplation corner' of the theater. The double sofa faces the layered art brick wall, and the ever-changing texture becomes an abstract painting that inspires thoughts. A floor lamp is the only chasing light that illuminates a small area, allowing thoughts to sink into the subtle layering of material details and colors.

P. 05

凡尔赛拼花-木纹砖负责连接历史，叠境与吉维尼系列则负责描绘艺术与自然，共同构成这个家独一无二的 “情感底蕴”。一种稳定、温暖、充满故事性的背景音。居住者既是观众，也是主演，在时光的舞台上，演绎着自己不被定义的日常史诗。

On this stage constructed from time materials, the layout becomes the underlying message that guides the plot. The wall is a three-dimensional poem that communicates with the ground. Stacked art handmade bricks, with their layered and changing textures and colors, interpret the "blending and sedimentation of time". It is abstract and profound, like a contemporary art painting.

P. 06

将空间比喻为一个 “生活戏剧的场景” ，将凡尔赛拼花木纹、叠境、吉维尼系列三款瓷砖提升为决定戏剧基调与风格的 “核心舞台布景与道具” ，通过“舞台、场景、光影、角色”的戏剧化框架，让理性功能描述融入感性的叙事之中，构成了精妙的材质复调。

Comparing space to a "scene of life drama", the Versailles mosaic wood grain, layering, and Giverny series ceramic tiles are elevated to the "core stage setting and props" that determine the tone and style of the drama. Through the dramatic framework of "stage, scene, light and shadow, characters", rational functional descriptions are integrated into emotional narratives, forming exquisite material polyphony.

P. 07

P. 08